MHL 603: TOPICS IN MUSIC HISTORY(1900-2008)

READINGS

(F-09)

 

These are the readings that will be assigned over the course of the semester.  You’ll find xeroxes in binders on reserve in the library.  In addition  I’ve posted a PDF of each reading on this website.  Click on the links below to access them.

 

Topic 1 – Igor Stravinsky, Life and works

Edward T. Cone, “Stravinsky: The progress of a method,  in Perspectives on Schoenberg and Stravinsky (ed. Boretz and Cone, 1972), 155-194.

Charles Hamm, “The Genesis of Petrushka,” in Igor Stravinsky, Petrushka, An Authoritative Score . . . (ed. Charles Hamm, 1967), 3-20.

Richard Taruskin, “The Rite of Spring,” in Richard Taruskin, The Oxford History of Western Music, vol. 4 (2005), 170-190.

Joseph N. Straus, “Stravinsky the serialist,” in The Cambridge Companion to Stravinsky (ed. J. Cross, 2003), 149-174.

 

 

Topic 2 – The Rise and fall of 12-tone music

Arnold Schoenberg, “Composition with twelve tones,” in in Classic Essays on 20th-century Music (ed. R. Kostelanetz & J. Darby, 1996), 233-264. (1st published, 1950)

David Cope, “Serialism,” Chapter 6 in Techniques of the Contemporary Composer (1997), 58-75

Luciano Berio, “Meditation on a 12-tone horse,” in Kostelanetz & Darby, 167-171 (1st published, 1968)

Jennifer DeLapp-Birkett, “Aaron Copland and the politics of twelve-tone composition in the early cold war United States, Journal of Musicological Research 27 (2008), 31-62.

Dmitri Shostakovitch, “Music and the times,” in Contemporary Composers on Contemporary Music (ed. E. Schwartz & B. Childs, 1978), 107-110 (1st published, 1965)

Pierre Boulez, “Schoenberg is Dead,  in Music in the Western World (ed. P. Weiss & R. Taruskin, 1984), 507-509 (1st published 1952)

 

Topic 3 – Art/Pop/Folk

Béla Bartók, “The influence of peasant music on modern music,” in Kostalanetz & Darby, 125-129. (1st published, 1931)

Constant Lambert, “Nationalism and the modern scene,Music Ho! (1936/1966), 151-163.

 

Topic 4 – Experimental Music

John Cage,  Experimental music,” in Kostelanetz & Darby, 202-206.   (1st published in Silence, 1961)

Frederic Rzewski, “Little Bangs: A nihilist theory of improvisation,” in Audio Culture (ed. C. Cox and D. Warner, 2004), 266-271.

 

Topic 5 – Minimalism / Post-Minimalism

 

Gann, Kyle.  “Minimal Music, Maximal Impact,” on NewMusicBox.org.  November 1, 2001.  Article (with hyperlinks and listening examples) found at http://www.newmusicbox.org/page.nmbx?id=31tp01.