MHL 603 – TOPICS IN MUSIC HISTORY:  20TH AND 21ST CENTURIES

 

Instructor: Luciano Chessa

Email: lucianochessa@yahoo.com

Class meets: Wednesday 9:30-11:50, Room 507

Office Hours: Wednesdays (by appointment) Room 546

Website: http://www.sfcmhistory.com/Chessa/Topics2_home1.html

 

Topic 1 – Igor Stravinsky, Life and Works

 

Jan 20          Intro

“Russian” period

Repertory: Petrushka (1), Rite (1)

Viewing:  Rite (Joffrey), Petrushka (Paris Ballet)

                   

Jan 27          “Neo-classicism”

Repertory: Symphonies of Wind Instruments; Orpheus

Reading: Taruskin on Rite (OHWM); Hamm on Petrushka

Viewing:  Final Chorale

Prep 1 due on Monday Jan 25 (Taruskin and Hamm)

 

Feb 3            Later years

Repertory: Agon

Reading:  Edward Cone, “Stravinsky, Progress of a Method“

Viewing:  Agon (NYC Ballet)

Prep 2 due on Monday Feb 1 (Cone)

 

Topic 2 – The Rise and fall of 12-tone music

         

Feb 10          Listening quiz 1 (Stravinsky)

Classical procedures and terminology

Repertory:  Schoenberg, Wind Quintet (1, 4), Webern, First Cantata

 

Feb 17          Serialism

Repertory:  Babbitt, 3 Compositions; Stockhausen, Kreuzspiel; Stravinsky, In memoriam Dylan Thomas

Reading:  Schoenberg, “Composition with 12 Tones” (233-251)

Boulez: “Schoenberg is Dead”

                              Prep 3 due on Monday Feb 15 (Schoenberg and Boulez)

 

Feb 24          Free treatment

Repertory: Berg, Violin Concerto ; Copland, Piano Quartet; Stravinsky, Agon

Reading:  Jennifer DeLapp-Birkett, “Aaron Copland and politics”; Shostakovich: “Music and the times”

Prep 4 due on Monday Meb 22 (DeLapp-Birkett and Shostakovich)

 

Topic 3 – Experimental Music

 

March 3        Listening quiz 2 (12-tone music)

What is experimental music?

Repertory: Ives, 3 quarter-tone pieces; Schaeffer: 5 studies of noise; Cage, 4’33”

 

March 10      Instrumental techniques and technologies

Repertory: Cowell, Advertisement, The Banshee; Varèse, Ionisation; Cage, The Perilous Night; Nancarrow, Studies; Berio, Sequenza for Trombone

Reading: Cage, “Experimental music”

Cameron, “Experimental music”

Prep 5 due on Monday March 8 (Cage and Cameron)

 

March 17      Improvisation and chance

Repertory: Scelsi, Maknongan (versions for double bass, bass voice, bass-tuba); Cage, Concert for Piano and Orchestra;

Reading: Rzewski, “Little Bangs”

Viewing:  Casa Scelsi

Prep 6 due on Monday March 15(Rzewski)

                             

Topic 4 – 20th-century opera

 

March 31      Listening quiz 3 (Experimental music)

Traditional dramaturgy in the 20th century

                              Berg, Wozzeck

                              Viewing: Wozzeck

                             

April 7           New dramaturgy

Janacek: From the House of the Dead

Viewing: House

Prep 7 due on Monday April 5 (Janacek)

 

April 14         Opera?

Robert Ashley: Perfect Lives

Viewing: Perfect Lives (TV version)

Reading: Rockwelll, "Post-Cagean Experimentation"

Prep 8 due on Monday April 12 (Rockwell)

 

April 21         Listening Quiz 4 (Opera)

Creating national music

Repertory: Copland, Billy the Kid; Villa Lobos, Choros #7      

                             

April 28         Folk & pop as the route to modernism

Repertory: Bartok, Improvisations, Op.20; 5th quartet; Ives, Putnam’s camp; Crumb: Wayfaring Stranger (2); Bolcom, Innocence and Experience

                              Reading: Bartok:  “Influence of Peasant Music”

                              Constant Lambert, “Nationalism and the modern scene”

                              Prep 9 due on Monday April 26 (Bartok and Lambert)

                             

May 5           Listening Quiz 5 and  Final exam