Listening
Topic I "Les Goûts-réunis"
Jean-Baptiste Lully, Atys (1676)
Jean-Baptiste Lully, Armide
(1686)
3. II, 3 monologue: "Enfin il est en ma
puissance"
4. IV, 2 excerpt from divertissement
Alessandro Scarlatti, Griselda (1721)
7.
"Nell'aspro mio dolor" da capo aria
8.
I, 18 recit and "Amanti, che piangete" da capo aria
Archangelo Corelli
9.
Sonata da chiesa Op.3 no.5 (1689)
François Couperin, Pièces de claveçin
from 2e Ordre (1713)
François Couperin, Les Nations (1726)
François Couperin, L'Apothéose de
Lulli (1725)
14. Essai en forme d'ouverture
Jean-Philippe Rameau, Hippolyte et
Aricie (1733/45)
16. IV, 3 conclusion of divertissement: rondeau and
air
Antonio Vivaldi
Op.8 Il cimento dell'armonia e
dell'inventione (1725), Concerto
No.9 in d minor
Johann Sebastian Bach , Partita I in Bb excerpts
Topic 2 Sonata
1. Niccolò Piccinni, La Cecchina, ossia la
buona figliuola (1760) “Ah Cecchina il tuo Mengotto”
2. Domenico Scarlatti, Sonata K. 209 (c.1740)
3. C.P.E. Bach, Prussian Sonata No. 5 first movement
(1742)
4. Haydn Symphony No.92 "
5. W.A. Mozart, String Quintet No. 6 in E-flat,
K.614, first movement (1791)
6.W.A. Mozart, Overture from Die Zauberflöte (1791)
7. F. Schubert, Piano Sonata in B-flat major, D960,
first movement (1828)
8. R. Schumann, Piano Sonata in f# minor, op.11,
first movement (1836)
9. J. Brahms, Cello Sonata in F major Op.99 (1886)
first movement allegro vivace
Topic 3
Music and the Inner Life
1.
J.S. Bach, "Wenn kommst du mein Heil?" from Cantata 140
"Wachet auf"
2.
J.S. Bach, “Kommt, ihr Töchter, helft mir klagen”, opening chorus from Matthäus-Passion
(1727)
3-4.
J.S. Bach, recit, chorus, aria from Matthäus-Passion 38a -40 choral
(p.175-185)
5. C.P.E.
Bach, Fantasia II from Sonaten, freien Fantasien und Rondos für
6. Nicolo Piccinni, “Una povera ragazza” from La Cecchina ossia la
buona figliuola (1760)
7.
Joseph Haydn, Symphony No.49 “La Passione” (1768) fourth movement
8. L. Beethoven "Heiliger Dankgesang"
from String Quartet Op. 132 (1825)
9. Franz Liszt, Hamlet (1858)
??. J. S. Bach, "Erwäge wie sein blutgefärbe Rücken," St. John Passion (1724)
Topic 4 – Beethoven
Piano Sonata in c minor, “Pathétique”, Op.13, first
movement (1797-98) cd1
String Quartet Op. 18 no. 6 “La Malinconia” –
Allegretto quasi allegro (1800) cd1
“Eroica” variations for piano, Op.35 (1802)
introduzione - var.1 and fugue cd2
Symphony No. 3, “Eroica”, Op. 55, first movement
(1803) cd1
Song cycle “An die ferne
Geliebte”, Op.98 (1816) cd1
String Quartet Op. 130 first movement and
"Cavatina" (1825)
cd2
Grosse Fuge Op. 133 (1825-26) cd2
String Quartet Op.135 finale (1826) cd2
Topic 5 – Opera
Gianbattista Pergolesi (Federico), La serva padrona, “Sempr’incontrasti”
(1733) – intermezzo
Niccolo Piccinni (Goldoni), La Cecchina ossia la buona figliuola, Act 2, 13-15 (1760) , chain finale, melodramma giocoso [text only for this
work]
Christoph Willibald Gluck, Orfeo ed Euridice (
W.A. Mozart (DaPonte), Le nozze di Figaro (1786), Act 1, no. 7, Terzetto – opera buffa
Richard Wagner, Tristan
und Isolde (1857-59, 1865), Act 3 excerpts – music drama
Giuseppe Verdi (Boito), Otello (1887), Act 1 excerpts
Giuseppe Verdi (Boito), Otello (1887), Act 4 excerpts
Jacques Offenbach (Crémieux
& Halévy) Orphée aux enfers, opéra bouffe (1858), Act 2, scene 3, no 12, “Duo de la mouche”