Homework Assignment #5
(Due October 13th)

Weiss 21, 26; NAWWM 32, 36

1.         What skills did Martin le Franc single out in his praise of musicians who wear “The English Guise?”

2.         Who are the composers that Tinctoris specifically compares to “the immortal gods?”

3.         Using the text of the Norton scores, list three or four major differences between the typical motet of the 14th century and the motet of Dunstable (NAWM 32).

4.         In the Gloria from Guillaume Dufay’s Missa Se la face ay pale (NAWM 36), how does he manipulate the tenor?  Where does the tenor come from?  How are Dufay’s procedures like and unlike isorhythmic technique?

5.         What skills of Josquin’s were singled out for praise by his contemporaries?