MHL 737: The Piano Trio
Reserve Articles

Nathan Broder, “Mozart and the ‘Clavier’,” Musical Quarterly 27/4 (Oct 1941), pp. 422-432.

Thomas A. Denny, “Articulation, Elision, and Ambiguity in Schubert’s Mature Sonata Form: The Op. 99 Trio Finale in Its Context,” Journal of Musicology 6/3 (Summer 1988), pp. 340-366.

David Fuller, “Accompanied Keyboard Music,” Musical Quarterly 60/2 (Apr 1974), pp. 222-245.

James Hepokoski and Warren Darcy.  Theory of Sonata Form (Oxford, 2006).  Chapter Two: “Sonata Form as a Whole,” pp. 14-22.

Hoffmann, E.T.A. “Review of Beethoven’s Piano Trios, Op. 70 Nos. 1 and 2,” reprinted in E.T.A. Hoffmann's Musical Writings: Kreisleriana, The Poet and the Composer, Music Criticism.  Edited, annotated, and introduced by David Charlton.  Translated by Martyn Clarke (Cambridge, 2003). pp. 300-325.

Simon P. Keefe, “Antoine Reicha’s ‘Dialogue’: The Emergence of a Theoretical Concept,” Acta Musicologica 72/1 (2000), pp. 43-62.

Kerman, Joseph.  “Tändelnde Lazzi:  On Beethoven’s Trio in D Major, Opus 70, No. 1,”

Ronald R. Kidd, “The Emergence of Chamber Music with Obligato Keyboard in England,” Acta Musicologica 44/1 (Jan-Jun 1972), pp. 122-144.

Katalin Komlós, “Haydn’s Keyboard Trios Hob. XV: 5-17: Interaction between Texture and Form,” Studia Musicologica Academiae Scientiarum Hungaricae, t.28, Fasc. 1/4 (1986), pp. 351-400.

Katalin Komlós, “The Viennese Keyboard Trio in the 1780s: Sociological Background and Contemporary Reception,” Music & Letters 68/3 (Jul 1987), pp. 222-234.

Joel Lester, "Robert Schumann and Sonata Forms," 19th-Century Music 18/3 (Spring, 1995), pp. 189-210.

Janet M. Levy, “Texture as a Sign in Classic and Early Romantic Music,” JAMS 35/3 (Autumn 1982), pp. 482-531.

William S. Newman, “Concerning the Accompanied Clavier Sonata,” Musical Quarterly 33/3 (Jul 1947), 327-349.

Basil Smallman, "Introduction," The Piano Trio (Clarendon, 1990).

Basil Smallman, "Chapter Two: The Late Eighteenth Century," The Piano Trio (Clarendon, 1990).

Basil Smallman, "Chapter Three: The Grand Sonata Style," The Piano Trio (Clarendon, 1990).

Basil Smallman, "Chapter Four: Interlude: Some Aspects of Technique," The Piano Trio (Clarendon, 1990).

Basil Smallman, "Chapter Five: The German Romantics," The Piano Trio (Clarendon, 1990).

Basil Smallman, "Chapter Six: The Nationalists," The Piano Trio (Clarendon, 1990).

Basil Smallman, "The Twentieth Century," The Piano Trio (Clarendon, 1990).

W. Dean Sutcliffe, “Haydn’s Piano Trio Textures,” Music Analysis 6/3 (Oct 1987), pp. 319-332.