THE SYMPHONY – PREPARATION 9

(S-09)

 

For Monday Nov 16

 

Please read the following:

David P. Schroeder, Haydn and the Enlightenment – The Late Symphonies and their Audience (1997), “Introduction” (1-5), “Symphonic Intelligibility and Sonata Form” (125-142)

Mark Evan Bonds, “The Symphony as Pindaric Ode,” in Haydn and his World (ed. Elaine Sisman, 1997), 131-153.

They’re on reserve in the library and also posted online. 

 

I’ve put scores of the following Haydn symphonies on reserve and online:

Symphony 85 (La Reine)

Symphony 101 (Clock)

Symphony 103 (Drumroll)

You’ll find multiple recordings on Naxos.

 

Answer both of the following questions more briefly than they deserve:

1)  Discuss a passage in one of these symphonies that illlustrates one of the techniques that Schroeder says Haydn uses to make instrumental music “intelligible.” 

2)  Bonds asserts on p.138 “The virtuosity demanded by the symphony is compositional rathe rthan performatvie and thus demands a correspondingly higher degrtee of poetic – compositional – artifice.”

Discuss a passage in one of these symphonies (a different symphony, please) that illustrates this point.